I’m offering this as simple feedback, not as questions, so you might know better what potential readers need from you. It’s intuitive and relatively easy to get started with, but the more I learn, the more I am in awe at what it can do.…Thanks for such a thorough eval of available writing software for Chrome OS. Ask me again in a couple months and I might have five more. Those are my current five favorite tricks with Scrivener. When you get home you can reverse the process, replacing your old file with the newly edited one as easily. You can write, edit or share those scenes. This trick allows you to sync a couple scenes to your tablet to take with you wherever. Each time you sync a new project you will have to create a project keyword. The first time you do this, you will need to give Scrivener your Simplenote account information, email and password. It’s a pretty straightforward process, but there’s also a great video on the Literature and Latte website to help if you get stuck. Under the file menu you find sync–>Simplenote. Until they make good, you can use this simple trick to carry some of your writing on your favorite tablet. The good people at Literature and Latte have been promising a version of Scrivener that works on the ipad. Scrivener has a built in tool for syncing documents with Simplenote. Simplenote is just that, a simple note taking application. Drag the sex scenes out for a cleaner read, or add them back in for more heat.īoth examples are levels of editing and rewriting that would be a major chore with a traditional word document, but are a snap in Scrivener. Some of the publishers you submit to want super sexy stuff. Based on their feedback you can make a final decision. Add them back in and compile again for beta reader B. If you were unsure about a certain subplot, you could drag those scenes out of the manuscript folder and then compiling the document for beta reader A. You can make that work to your advantage by dragging scenes out of that folder. When you compile the manuscript at the end of your writing project, only things in the manuscript folder get added to the book. Not sure about a scene? Don’t delete it, just drag it outside the manuscript folder. I downloaded a picture and dragged it into the document note, so I could see it while I was writing. Another Bear Naked example, in book two I was struggling with how to describe a Stavanger Church in one scene. Why would you want to? Some I struggle with how to describe a scene. Drag pictures into document notesĭid you know you could drag pictures into the document notes section. So for each new installment I simply drag the entire character folder from one volume into the next. It will create a copy in the target project, but leave the original project the same.įor example, the Bear Naked series now has four books. Open both projects side by side and drag away. Copy between scrivener projects by simply clicking and dragging.Ī great way to copy information from one scrivener project to another is to simply click and drag it from one binder to another. I downloaded a large, free, fantasy, icon pack here. Click on the plus arrow and search your computer for any smallish png file and add it. At the bottom of “change icon” is manage icons which brings up a submenu. You can kick it up another notch by adding your own icons. You can change the icon by right clicking in the binder and selecting “change Icon” in the pop up. I want to see at a glance who’s point of view each scene is from, so I customized the icon accordingly. My current work in progress has a bunch of points of view. The little squares in the binder for scrivenings can get a little boring, plus there’s so many other options, and so many ways that customizing that icon can help you, depending on your writing style. So with that in mind, here are my five favorite scrivener tricks I’ve learned recently. You think you know everything and someone comes along and shows you a new trick. If you are a scrivener user, they are some great tricks. I saw a blog over on, 5 Scrivener Tricks You’ll Love.
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